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Sagar Tamnar

Napoleon 2023

Many directors have tried following Napoleon where the paths of glory lead, and maybe it is only defiant defeat that is really glorious. But Ridley Scott – the Wellington of cinema – has created an outrageously enjoyable cavalry charge of a movie, a full-tilt biopic of two and a half hours in which Scott doesn’t allow his troops to get bogged down mid-gallop in the muddy terrain of either fact or metaphysical significance, the tactical issues that have defeated other film-makers.




Scott cheekily imagines Napoleon firing on the pyramids in the Egyptian campaign as well as witnessing the execution of Marie Antoinette (but not the humiliation of Louis XVI by the Tuileries mob, which he might actually have seen). Out of deference moreover, Scott and his screenwriter David Scarpa suppress all mention of Napoleon’s reintroduction of slavery into the French colonies. But above all, there’s a deliciously insinuating portrayal of the doomed emperor from Joaquin Phoenix, whose derisive face suits the framing of a bicorne hat and jaunty tricolour cockade. Phoenix plays Napoleon as a military genius and lounge lizard peacock who is incidentally no slouch on horseback. Others might show Napoleon as a dreamy loner, but for Scott he is one half of a rackety power couple: passionately, despairingly in love with Vanessa Kirby’s pragmatically sensual Josephine. Scott makes this warring pair the Burton and Taylor of imperial France.

Napoleon Bonaparte is probably the most famous Frenchman of all time and is, according to academic sources, second only to Jesus as the most filmed figure in cinema history. Napoleon is a complex subject whose aura, monstrosity and genius is a perfect fit for great cinema and who is therefore an irresistible challenge for any serious film-maker. Little wonder then that Ridley Scott, who is now 85 years old, and whose long and prolific career includes many big, sweeping movies, has finally succumbed to the lure of the “little corporal” from Corsica.



Napoleon is due in cinemas at the end of the month with Joaquin Phoenix in the leading role and a soundtrack which includes Black Sabbath (their classic dirge War Pigs) and a slowed-down Radiohead cover (The National Anthem – another dirge).


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